{"title":"Perimeter","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003ePerimeter\u003c\/strong\u003e\u003cspan\u003e is a specialised bookstore, award-winning publisher, distribution house and platform for various art publishing endeavours in Melbourne.\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"banjo-mclachlan-31-beach-looks","title":"BANJO MCLACHLAN  31 Beach Looks","description":"\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003eThe casual foundations of beach culture and beachwear are intrinsically recognisable to those who have spent time anywhere near the Australian coast. Chanel, selfie sticks, and illuminated screens are rarely our frames of reference. Shot on location at one of the world’s most iconic beaches, Banjo McLachlan’s new book, 31 Beach Looks, reads like an alternative manifesto for the beach experience.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e34 pages, 24.35 x 33cm, saddle-stitched with hardcover, Perimeter Editions (Melbourne).\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Perimeter","offers":[{"title":"Default Title","offer_id":50843925381333,"sku":"62495","price":55.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/2192\/6357\/files\/31beachlooks.jpg?v=1734933450"},{"product_id":"marton-perlaki-the-third-hand","title":"MARTON PERLAKI The Third Hand","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eThe Third Hand\u003c\/i\u003e\u003cspan\u003e presents the multi-faceted and experimental practice of Marton Perlaki. It captures the five year period from 2018 to 2023, during which time Perlaki moved from making figurative to abstract work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eThe book presents an enquiry; how can you give a concrete form to a practice which is continually reconfiguring itself? The accumulation of twelve discrete sections – individual ‘edits’ disentangle the strands of Perlaki’s deep and rigorous practice whilst demonstrating the ways in which they are intertwined.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003e310 pages, 28 x 21 cm, softcover, InOtherWords (London).\u003c\/span\u003e\u003c\/p\u003e","brand":"Perimeter","offers":[{"title":"Default Title","offer_id":50844010479829,"sku":"62515","price":119.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/2192\/6357\/files\/marton.jpg?v=1741751741"},{"product_id":"tim-couglan-hells-gates-ii-retribution","title":"TIM COGHLAN  Hell's Gates II: Retribution","description":"\u003cp\u003eTim Coghlan’s Hell’s Gates II: Retribution is the second complete volume of the Hell’s Gates series, following the 2018 original, and its supplement editions Hell’s Gates: Notre Damned, An Act of God and Hell’s Gates Redux. Like its previous iterations, this pulp novel of images – a sequel in cinematic terms – sees the Melbourne-based designer and publisher delve into the realms of iconography, typology, and the implications and democracy of images. But where earlier editions used strategic Google Images searches to scour the internet for lo-res, amateur, and public domain photographs of burning houses of worship the world over, in Retribution, Coghlan focuses his gaze on a particular medium and place. Here, he utilises the moving image, creating a syntax of video stills and vignettes, picturing churches burning to the ground exclusively within the borders of the United States post-2018, the year the original Hell’s Gates was published.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e224 pages, 19.2 x 12cm, perfect bound softcover, Knowledge Editions x Perimeter Editions (Melbourne).\u003c\/p\u003e","brand":"Perimeter","offers":[{"title":"Default Title","offer_id":50853110481109,"sku":"62510","price":40.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/2192\/6357\/files\/hell.jpg?v=1734998220"},{"product_id":"zoe-croggan-how-to-cut-an-orange","title":"ZOË CROGGAN How To Cut An Orange","description":"\u003cp\u003ePiecing together a selection of works made over the last eight years, Croggon’s striking new artist’s book How to Cut an Orange embraces the written word more wholeheartedly than ever before. Featuring an incisive abstracted essay by the celebrated young poet Samantha Abdy, and a selection of poems by Croggon’s mother – the renowned cultural critic, author and poet, Alison Croggon – How to Cut an Orange puts the artist’s sensuous, visceral photographic collages in direct conversation with the words and worlds that bracket and surround them. As much as Croggon’s practice is one of deep research and introspection, it also gazes outward. ‘It is perhaps about being a spectator in the world,’ writes Abdy in her essay. ‘It is about having a body in the world. It’s about being in the world.’\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cmain class=\"main-content js-focus-hidden\" id=\"MainContent\" role=\"main\" tabindex=\"-1\"\u003e\n\u003cdiv id=\"shopify-section-product-template\" class=\"shopify-section\"\u003e\n\u003cdiv class=\"product-template__container page-width\" id=\"ProductSection-product-template\" data-section-id=\"product-template\" data-section-type=\"product\" data-enable-history-state=\"true\"\u003e\n\u003cdiv class=\"grid product-single\"\u003e\n\u003cdiv class=\"grid__item medium-up--one-half\"\u003e\n\u003cdiv class=\"product-single__description rte\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"Apple-converted-space\"\u003e104 pages, 32 x 24 cm, cast-coat stock, OTA-bind softcover with clear vinyl dustjacket, Perimeter Editions (Melbourne).\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/main\u003e","brand":"Perimeter","offers":[{"title":"Default Title","offer_id":50853153472725,"sku":"62518","price":65.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/2192\/6357\/files\/pe.jpg?v=1735001002"},{"product_id":"soufiane-ababri-yes-i-am","title":"SOUFIANE ABABRI Yes I Am","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis publication brings together for the first time a selection of drawings from the \u003c\/span\u003e\u003ci\u003eYes I am\u003c\/i\u003e\u003cspan\u003e series begun in 2020 by Soufiane Ababri. Through this gallery of portraits, Ababri weaves a queer community in which he recognises himself, and which testifies as much to the kinship as to the singularity of each of its members. Some are close friends of the artist, others personalities from the worlds of art, literature, cinema and fashion... James Baldwin, Andy Warhol, Guillaume Dustan, Tom Ford, Jimmy Sommerville, Tarek Lakhrissi, John Waters and many other figures for whom Ababri declares not only his admiration but also his queer closeness. In her essay, art historian and activist Elisabeth Lebovici explores the semantic, historical and political resonances of the bed that serves as Ababri's studio, and describes his work as 'bedworks'.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e244 pages, 24 x 32cm, softcover, Triangle Books (Brussels).\u003c\/span\u003e\u003c\/p\u003e","brand":"Perimeter","offers":[{"title":"Default Title","offer_id":51225348014293,"sku":"62516","price":120.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/2192\/6357\/files\/yesiam.jpg?v=1743727277"},{"product_id":"perimeter-zsofia-kollar-object-oriented-identity-cultural-belongings-from-our-recent-past","title":"ZSOFIA KOLLAR Object-Oriented Identity: Cultural Belongings from our Recent Past","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eObject-Oriented Identity: Cultural belongings from our recent past is a journey through objects and identities. Through curiosity, it helps discover the unforeseeable directions in our product-oriented society, where one is no longer the sum of their actions, but the sum of their own objects.\u003cbr\u003e\u003cbr\u003eOOI\u003cspan\u003e is a catalog constructed as a result of a personal fascination with understanding the nature of our consumption. It investigates the odd connections between objects and history and their cultural relevance in our individual and collective identities.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmain class=\"main-content js-focus-hidden\" id=\"MainContent\" role=\"main\" tabindex=\"-1\"\u003e\n\u003cdiv id=\"shopify-section-product-template\" class=\"shopify-section\"\u003e\n\u003cdiv class=\"product-template__container page-width\" id=\"ProductSection-product-template\" data-section-id=\"product-template\" data-section-type=\"product\" data-enable-history-state=\"true\"\u003e\n\u003cdiv class=\"grid product-single\"\u003e\n\u003cdiv class=\"grid__item medium-up--one-half\"\u003e\n\u003cdiv class=\"product-single__description rte\"\u003e\n\u003cp\u003e216 pages, 15 × 20 cm, softcover, Art Paper Editions (Ghent).\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/main\u003e","brand":"Perimeter","offers":[{"title":"Default Title","offer_id":51225349980373,"sku":"64168","price":72.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/2192\/6357\/files\/book.jpg?v=1743728272"},{"product_id":"melissa-keys-hair-pieces","title":"MELISSA KEYS Hair Pieces","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFew subjects can evoke the entwinement of the corporeal, personal, and political so succinctly as that of hair. Throughout history, hair has been charged with significance and is resonant with meaning, transmitting ideas about gender, mythology, status and power, the body, psychology, feminism, and notions of beauty. At once radiant and repellent, and often richly symbolic, it has always assumed a particular importance in relation to the self, history, and society.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEdited by Melissa Keys, \u003c\/span\u003e\u003cem\u003eHair Pieces\u003c\/em\u003e\u003cspan\u003e explores the complex significance of hair in contemporary culture through a selection of recent Australian and international works of art. Encompassing a wide range of practices including drawing, painting, performance, photography, installation, text, and more, this collection of works reveals interwoven dialogues tracing identity, spirituality, agency, and resistance. Published by Perimeter Editions, this book – and the 2024 exhibition that preceded it at Heide Museum of Modern Art – examines the myriad ways in which artists utilise hair to investigate and conjure generative and beguiling possibilities encompassing growth, empowerment and transformation.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e144 pages, 14.5 x 24 cm, coptic bind, softcover, Perimeter Editions (Melbourne).\u003c\/span\u003e\u003c\/p\u003e","brand":"Perimeter","offers":[{"title":"Default Title","offer_id":51633951408341,"sku":"67238","price":55.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/2192\/6357\/files\/Screenshot2025-07-28at2.32.23pm.png?v=1753677213"},{"product_id":"sorry-press-new-aesthetic-2","title":"SORRY PRESS New Aesthetic 2","description":"\u003cp\u003eEdited by Leonhard Laupichler and Sophia Brinkgerd, \u003cem data-start=\"85\" data-end=\"100\"\u003eNew Aesthetic 2\u003c\/em\u003e is a 304-page exploration of experimental and independent type design at the intersection of art and graphic design. It challenges traditional ideas of legibility and function, proposing typography as a dynamic, expressive medium that evolves with cultural and technological shifts. Rather than aiming for perfection, the book embraces playful, unconventional approaches that push the boundaries of visual communication. Featuring contributions from over 100 international designers, it presents a collective vision for the future of type — one rooted in experimentation, emotion, and originality.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmain class=\"main-content js-focus-hidden\" id=\"MainContent\" role=\"main\" tabindex=\"-1\"\u003e\n\u003cdiv id=\"shopify-section-product-template\" class=\"shopify-section\"\u003e\n\u003cdiv class=\"product-template__container page-width\" id=\"ProductSection-product-template\" data-section-id=\"product-template\" data-section-type=\"product\" data-enable-history-state=\"true\"\u003e\n\u003cdiv class=\"grid product-single\"\u003e\n\u003cdiv class=\"grid__item medium-up--one-half\"\u003e\n\u003cdiv class=\"product-single__description rte\"\u003e\n\u003cdiv class=\"entry\" id=\"entry_14578923\"\u003e\n\u003cdiv class=\"project_content\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmain class=\"main-content js-focus-hidden\" id=\"MainContent\" role=\"main\" tabindex=\"-1\"\u003e\n\u003cdiv id=\"shopify-section-product-template\" class=\"shopify-section\"\u003e\n\u003cdiv class=\"product-template__container page-width\" id=\"ProductSection-product-template\" data-section-id=\"product-template\" data-section-type=\"product\" data-enable-history-state=\"true\"\u003e\n\u003cdiv class=\"grid product-single\"\u003e\n\u003cdiv class=\"grid__item medium-up--one-half\"\u003e\n\u003cdiv class=\"product-single__description rte\"\u003e\n\u003cdiv id=\"entry_14578923\" class=\"entry\"\u003e\n\u003cdiv class=\"project_content\"\u003e304 pages, 17 x 24 cm, softcover, Sorry Press (Munich).\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/main\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/main\u003e","brand":"Perimeter","offers":[{"title":"Default Title","offer_id":51633953734869,"sku":"67240","price":95.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/2192\/6357\/files\/Screenshot2025-07-03at5.43.28pm.png?v=1751528658"},{"product_id":"james-tunks-zone","title":"JAMES TUNKS Zone","description":"\u003cp data-start=\"14\" data-end=\"313\"\u003e\u003cem data-start=\"14\" data-end=\"20\"\u003eZONE\u003c\/em\u003e is the third book by Vienna-based Australian artist James Tunks, published by Perimeter Editions. It explores the intersection of photography, technology, and time, reflecting on how modern image-making tools—now infused with AI and machine learning—extend beyond human perception and memory.\u003c\/p\u003e\n\u003cp data-start=\"315\" data-end=\"714\"\u003eThe book contrasts vivid color with precise black-and-white images, combining symbols like birds of prey, the Apollo Mission, and remote Icelandic landscapes. These visual juxtapositions highlight themes of exploration, secrecy, and technological evolution. Tunks uses fragmented portraits and echoing images to challenge viewers' perspectives and question the nature of photographic representation.\u003c\/p\u003e\n\u003cp data-start=\"716\" data-end=\"1138\"\u003eLike his previous works \u003cem data-start=\"740\" data-end=\"751\"\u003eInto Dust\u003c\/em\u003e and \u003cem data-start=\"756\" data-end=\"772\"\u003eAI (Art Index)\u003c\/em\u003e, \u003cem data-start=\"774\" data-end=\"780\"\u003eZONE\u003c\/em\u003e blurs boundaries between past and future, reality and simulation. It ends with a fictional narrative about a lone protagonist who possesses a powerful prototype camera capable of extraordinary feats—capturing thermal traces, distant lunar artifacts, and even human breath—raising philosophical concerns about surveillance and the reach of modern technology.\u003c\/p\u003e\n\u003cp data-start=\"1140\" data-end=\"1264\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eUltimately, \u003cem data-start=\"1152\" data-end=\"1158\"\u003eZONE\u003c\/em\u003e presents a vision of photography as both a tool of minute observation and a potentially disruptive force.\u003c\/p\u003e","brand":"Perimeter","offers":[{"title":"Default Title","offer_id":51634228887765,"sku":"70116","price":49.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/2192\/6357\/files\/Perimeterdrop30June.webp?v=1751355369"},{"product_id":"jesse-marlow-decompositions","title":"Jesse Marlow – (De)Compositions","description":"\u003cp class=\"p1\"\u003eComprising a series of iconic street photographs recast as guerilla street posters – and later rephotographed as they decayed on walls around the city – Jesse Marlow’s\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e(De)Compositions\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis a striking new gesture towards photography’s myriad afterlives. In a contemporary context in which images proliferate endlessly online, Marlow’s latest book feels like an informal ode to the photograph’s physical potentials and limitations –\u003cspan class=\"s1\"\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003ethe internationally-renowned Melbourne-based photographer’s images exploring the variable, democratic, and happily fallible qualities of the physical print in the public sphere.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe book itself – Marlow’s first with Perimeter Editions – is presented in the form of a stack of wall-to-wall, full-bleed sheets, scored once down the middle, and unbound save for a cloth-wrapped elastic band. We experience these images as fragments, repetitions, textures, and tears. Their gritty fine-grain details, striking colour palette, and dynamic compositions are brought into vibrant conversation with one another across recto and verso pages, half of one image colliding and melding with half of another. 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I quickly discovered that – through the effects of the wind, rain, sun, graffiti artists, and even the hungry little snails attracted to my home-cooked glue mix – the posters deteriorated in such a way that these new gestures, artefacts, and aesthetics altered their reading.’\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e104 pages, 29.7 x 21 cm, unbound softcover with elastic cord, Perimeter Editions (Naarm \/ Melbourne).\u003c\/p\u003e","brand":"Perimeter","offers":[{"title":"Default Title","offer_id":52809273278677,"sku":"76982341","price":55.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/2192\/6357\/files\/deco_1.jpg?v=1765931865"},{"product_id":"zora-sicher-geography","title":"Zora Sicher – Geography","description":"\u003cp\u003e\u003ci\u003eThere’s a little bit of sex, motherhood, and ruin...\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/i\u003e\u003cspan\u003efrom the text by Gaby Cepeda.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDashwood is proud to announce the publication of Geography, the first monograph by Brooklyn-born artist and photographer, Zora Sicher.\u003cbr\u003e\u003cbr\u003eSicher is known for her work exploring the boundaries between photography and film with an unflinching focus on the uncensored human body. She often investigates themes of identity, diversity, and the intersection of ancient and modern photographic processes. Sicher previously co-authored \u003cem\u003eTreasure\u003c\/em\u003e with Paloma Elsesser, which documented the model’s breast surgeries.\u003cbr\u003e\u003cbr\u003eIn \u003ci\u003eGeography\u003c\/i\u003e she draws upon her personal archives from 2011 to the present day photographing her inner circle of friends. The opening lines of the introductory text by the art critic and independent curator, Gaby Cepeda speaks to the ephemeral quality of her photographs and the simple yet lofty goal of this body of work.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eIs it possible to get rid of oneself? 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Working at the intersection of commercial gloss and fashion fantasy, stock image neutrality, and the strangeness of amateur imagemaking, Geeting builds a visual language that is both highly polished and deeply confounding in its narrative. The result is a book as humorous as it is heartfelt – an offering of staged sincerity wrapped in surreal detail.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eGeeting’s career began in 2012, shortly after graduating from the School of Visual Arts in 2011. While working at a juice bar, he photographed in his spare time and posted images to Tumblr, where his distinctive approach quickly drew attention and led him into commercial and fashion photography. 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The book collides (both literally and metaphorically) at the halfway point, designed to be exactly the same from front to back – revealing no beginning or end, but rather an infinite loop that can be entered from any point.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDouble Player\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eis published on the occasion of Peter Tomka’s inclusion in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMade in L.A.\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eat the Hammer Museum, and marks the artist’s first monograph.\u003c\/p\u003e\n\u003cp\u003e112 pages, 25.4 x 33 cm, hardcover\u003cbr\u003ePublished by TBW Books\u003c\/p\u003e","brand":"Perimeter","offers":[{"title":"Default Title","offer_id":53724809986261,"sku":"80540838","price":105.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/2192\/6357\/files\/player_1.jpg?v=1777441727"},{"product_id":"mark-bohle-pica-pica-2","title":"Mark Bohle - Pica Pica 2","description":"\u003cp\u003e\u003cspan\u003eSince the publication of \u003cem\u003ePica Pica 1\u003c\/em\u003e, Mark Bohle has continued filling sketchbooks without pause. 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Now, in Campus, he focuses on the Vitra Campus in Weil am Rhein, not far from Basel. Vitra is a project with many different facets and layers: a Swiss furniture company, a campus with buildings by important contemporary architects, including Frank Gehry, Zaha Hadid, Tadao Ando, and Álvaro Siza, a museum—the Vitra Design Museum—furniture collections, design and architecture estates and archives, gardens, publications, and people. Aleix Plademunt’s Campus combines all these motifs, supplemented by a number of historical photographs, to create an image of a place where you can sense the meaning and importance of design—as utopia and as everyday work.  \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAleix Plademunt (b. 1980 in Girona) studied technical engineering and received a degree in photography from UPC, Barcelona, in 2003. 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These images are ordered as the London-based artist, Louis Porter, encountered them – alphabetically by subject – on shelves that make neighbours of Sleep and Smuggling and bring together Pleasure, Poaching, and Poisons. The result forms an archaeological exploration of the systems of knowledge that we often take for granted.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe construction of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eSearch Engine\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003etook place between November 2021 and May 2022 amongst the stacks of the library’s Science \u0026amp; Miscellaneous section. Unlike most libraries, which use alphanumeric classification systems, the London Library is organised by sections and subject headings – primarily focusing on the humanities – with Science \u0026amp; Miscellaneous providing the overflow for an eclectic group of subjects, many of which echo the interests of the Victorian men of wealth who founded the library in 1841. 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Staged between faculty, students and collaborators at the Chair of Architecture and Urban Transformation at ETH Zurich (otherwise known as NEWROPE), these encounters are performances of world-building, inviting participants and audiences to imagine new ways to choreograph alliance. Recognising the present need for new forms of critical design education underscores the project's immediacy. By documenting the production of NEWROPE’s teaching experiments, the book becomes a guiding companion, anticipating future experiments to be staged outside of this forum. Imagined in this way, it is not an instruction for collaboration but a component part of these very relations. \u003c\/p\u003e\n\u003cp\u003ePortability catalyses functionality: designed to be held close, carried around and frequently referenced as a habitual working companion. Inside, the narrative is distilled across four chapters, each organised around a verb: ‘to project’, ‘to experience’, ‘to sequence’, and ‘to activate’. These verbs arise twice within each chapter: first as a contextual survey of established disciplinary practices within the field of architecture and urban transformation (as the Action); and second as a speculative invitation to re-enact these practices in nascent forms (as the Primer). These latter sections offer rumination on NEWROPE’s ongoing pursuit of collectivity as a methodology to address the urgent complexities of our times. Tested within NEWROPE’s Design in Dialogue Lab this investigation uses tangible elements such as props and performative mock-ups as instruments to affect new forms of communication and engagement. Understanding the book as not only a narration of these collaborative rehearsals but a companion to future performances, we come to realise its self-fulfilling function—a prop for tacit co-creation.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e244 pages, 12 x 17 cm\u003cbr\u003ePublished by InOtherWords\u003c\/p\u003e","brand":"Perimeter","offers":[{"title":"Default Title","offer_id":53724818833621,"sku":"21941897","price":85.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/2192\/6357\/files\/transformation_1.jpg?v=1777443029"},{"product_id":"magdalene-odundo-the-journey-of-things","title":"Magdalene Odundo - The Journey of Things","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cem\u003eThe Journey of Things\u003c\/em\u003e \u003c\/span\u003e\u003cspan\u003eby Magdalene Odundo enters its fourth reprint – a result and testament to the book’s enduring resonance with long-standing and emerging audiences. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe book features 44 of Odundo’s vessels, a large selection of museological and contemporary objects that reveal the range of global references that have informed her practice, alongside various texts including a conversation with Ben Okri. 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But where\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003ci\u003eHumpty Doom\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003eswayed closer to the documentary genre, here Fenwick shifts positions, enlisting an unlikely team of co-authors – a termite colony living beneath their childhood home. Gathering books inherited from schoolrooms and family shelves – texts steeped in frontier myths, one-sided histories, and the erasure of First Nations cultures – Fenwick fed the selection of colonial volumes to the termites and then photographed the remains: a dense, sculptural language of tunnels, voids, and clay scaffolds.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eUsing photography as both witness and collaborator, Fenwick allows collapse and digestion to reshape the dominant narrative, reversing these books’ presumed authority. The termites’ act of destruction becomes a generative act, dismantling certainty and returning knowledge to the soil, altered and unfinished. Woven amongst the pages of\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003ci\u003eThe Colony\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003eare photographs of colossal termite mounds, which appear as ancient, ghostly, monoliths piercing the landscape – their immense forms giving little indication of the assiduous, living commune within.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eFenwick’s photographs give precedence to native ecology and organic process over the hierarchy of structure and control; an active unlearning of the settler mindset that remains deeply entangled in contemporary Australia. In this book, the colonial fantasy is eaten away, hollowed out from within.\u003c\/p\u003e\n\u003cp\u003e72 pages, 24.5 x 34 cm, OTA-bind softcover, Perimeter Editions (Naarm\/Melbourne).\u003c\/p\u003e","brand":"Perimeter","offers":[{"title":"Default Title","offer_id":54194094604501,"sku":"14883515","price":65.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/2192\/6357\/files\/colony_1.jpg?v=1783579055"},{"product_id":"peter-rauch-2-3","title":"Peter Rauch – 2, 3","description":"\u003cp\u003e\u003ci\u003eThis book gathers a decade (and a bit) of\u003cspan\u003e \u003c\/span\u003ePeter Rauch’s practice into one sequence – photographs, small exhibitions, objects that became images and images that started behaving like objects. It pulls threads from the\u003c\/i\u003e\u003cspan\u003e Objects \u003c\/span\u003e\u003ci\u003eseries (\u003c\/i\u003e\u003cspan\u003eSome Objects\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003eMore Objects\u003c\/span\u003e\u003ci\u003e) and folds in later projects where the camera slips into installation and back again. It’s not a catalogue but a re-cut of sorts.\u003cbr\u003e\u003cbr\u003ePeter’s work sits between thinking and making – the architecture of bones; photography in the hands; and theory in the air. He sees ‘objects’ where most people see none: mundane debris, modernist fragments, surfaces and seams; the way a small thing can tilt an entire space; the slight unease when attention locks onto what we usually ignore.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003ePeter and I grew up just three years apart in Llubljana, Slovenia, where he lives and works – and, more to the point, in that crack between Yogslavia and Slovenia, between late socialism and late capitalism. The grey, dusty, yet vital capital of a socialist republic, now turned into a tourist periphery of Europe. This atmosphere seeps into the pictures – patched asphalt, provisional repairs, leftover structures, thing that feel both temporary and stubborn, suggesting something bygone but hanging on relentlessly as objects and not just in my memory.\u003cbr\u003e\u003cbr\u003eAcross the decade, Peter’s camera starts staging objects – a pavilion that is also a proposition; cuts into gallery walls; matter moved, stacked, stored, performed (\u003c\/i\u003ePavilion\u003ci\u003e\u003cspan\u003e, \u003c\/span\u003e\u003c\/i\u003eCross-section\u003ci\u003e\u003cspan\u003e, \u003c\/span\u003e\u003c\/i\u003eManipulation\u003ci\u003e). Then there’s the thud and thump of\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003eMetalec\u003ci\u003e, where forces and weights become the subject. This book lets those modes talk to each other without polishing the edges, without trying to sort them in any indexical manner. So the sequence here is deliberately intuitive: views turn into objects, objects into images, and back again.\u003cbr\u003e\u003cbr\u003eThe writing under-explains, but that’s deliberate – the logic is in the cuts, the pivots, the returns. For this presentation, for this book, the loose arrangement and the ‘atmosphere’ (for lack of a better word – surely one should exist in 2025?) simply felt right.\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Žiga Testen\u003c\/p\u003e\n\u003cp\u003e176 pages, 19.5 x 27.5 cm, softcover, Perimeter Editions (Naarm \/ Melbourne).\u003c\/p\u003e","brand":"Perimeter","offers":[{"title":"Default Title","offer_id":54194096341205,"sku":"16999131","price":59.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/2192\/6357\/files\/2.3_1.jpg?v=1783579242"},{"product_id":"fiona-longhurst-5-7-3-float-fall-petals-10-trees","title":"Fiona Longhurst – 5 7 3 Float Fall Petals 10 Trees","description":"\u003cp class=\"p1\"\u003eFor over three decades, Fiona Longhurst has cultivated a distinctive visual language grounded in pattern, repetition, and colour. A longstanding artist in the Arts Project Australia studio since 1991, her practice has evolved with quiet persistence, producing a compelling body of work. Her intricate fields of mark-making are animated by recurring motifs – floral forms, delicate compositional arrangements, and text. Through intuitive layering and patterning, Longhurst builds a personal visual lexicon.\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eCo-published by Perimeter Editions and Arts Project Australia, \u003c\/span\u003e\u003ci\u003e5 7 3 Float Fall Petals 10 Trees\u003c\/i\u003e\u003cspan\u003e is Longhurst’s first major book, and traces her drawing, painting, and collage work across decades of studio practice. The publication – which takes the form of a workbook – features an essay by Jo Salt and is designed by Narelle Brewer for Perimeter Bureau.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFounded in 1974, Arts Project Australia is an internationally leading visual arts organisation that champions neurodivergent artists and artists with intellectual disability. Through its studio program, exhibition opportunities, and professional development pathways, Arts Project empowers more than 150 artists to develop their practice and build meaningful careers in the contemporary arts sector. Published alongside a survey exhibition at Arts Project,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e5 7 3 Float Fall Petals 10 Trees \u003c\/em\u003ecelebrates Longhurst’s enduring contribution to the studio and the broader contemporary art landscape, offering insight into an artist whose evolving practice is defined by tenderness, a nuanced use of colour, and a quietly compelling sense of introspection.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e224 pages, 17 x 24 cm, coptic-bind softcover, Perimeter Editions x Arts Project Australia (Naarm \/ Melbourne).\u003c\/p\u003e","brand":"Perimeter","offers":[{"title":"Default Title","offer_id":54194097291477,"sku":"89292023","price":60.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/2192\/6357\/files\/fiona_1.jpg?v=1783579365"},{"product_id":"david-thomas-amid","title":"David Thomas – Amid","description":"\u003cp class=\"p1\"\u003eIn a career spanning four decades, Naarm\/Melbourne-based artist David Thomas has built a visual language that punctuates colour theory, monochromatic painting, installation, and photo-painting with decidedly humanistic and poetic gestures. While positioned firmly in abstraction, his practice has decidedly personal underpinnings, exploring notions of contemplation, perceptions of time and space, complexity, impermanence, knowing, and feeling. Art history, the studio, the home, and life outside of them fold in on one another with a quiet sensitivity, humour, and poignancy.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eMade in close cooperation with longtime friend and creative collaborator, graphic designer Stuart Geddes, Thomas’s latest book\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eAmid\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003eis a quietly unabashed meander through Thomas’s world. Here, painting, photography, and text juxtapose, oscillate, and in time, become a composite. He creates a space where, as he puts it, ‘simple complexities’ alter our reading of the gestures at hand – monochrome paintings, humorous observations, titles, and photographs of family, public happenstance, and his dog Jimmy, echo and coalesce.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAs Thomas writes, ‘This publication is a celebration of the complexity of art, life, and of the wonder of simple things, [It is a] book, to paraphrase the Irish poet Seamus Heaney, of “subtleties and tolerances”. [It] offers a space\/time for musing … when we muse, we don’t have to conclude but can accept what is there in all its openness.’\u003c\/p\u003e\n\u003cp\u003e128 pages, 17 x 24 cm, softcover, Perimeter Editions (Naarm \/ Melbourne).\u003c\/p\u003e","brand":"Perimeter","offers":[{"title":"Default Title","offer_id":54194097717461,"sku":"84385896","price":59.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/2192\/6357\/files\/david1_1.jpg?v=1783579589"},{"product_id":"dredging-up-the-past-gertrude-2005-2025","title":"Dredging up the Past: Gertrude 2005–2025","description":"\u003cp\u003eGertrude is a contemporary visual art centre and studio complex in Naarm Melbourne, dedicated to risk and ambition. Gertrude’s model has influenced how contemporary art is supported and presented in Australia, and demonstrates a sustained institutional support for experimental practice. Co-published by Gertrude and Perimeter Editions,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDredging up the Past\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eindexes its exhibitions from 2005 to 2025, and its studio and exhibiting artists from 1983 to 2025.\u003c\/p\u003e\n\u003cp\u003eEdited by Sharon Flynn, and designed by Narelle Brewer,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDredging up the Past\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003efollows on from Gertrude’s previous twenty-year history,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eA Short Ride in a Fast Machine\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e(2005), edited by Charlotte Day. An exercise in methodical indexing and recording, this 592-page tome covers every exhibition from the last two decades, alongside documentation of programs and projects, colloquial photographs, and creative and critical texts by the likes of James Nguyen, Nat Thomas, Kim Donaldson, and current directors Mark Feary and Tracy Burgess. In addition, a polyphonic text titled ‘Risk Contemporary’ draws on the contributions of former directors, curators, staff, studio artists, and board members to share anecdotes of conceptual risk during their time associated with Gertrude. The book closes with a vast ‘Catalogue of Personnel’ – a nod to the thousands of humans to have contributed to the organisation’s ecosystem from 1983 until 2025.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDredging up the Past\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e– which takes its title from the Richard Bell exhibition that inaugurated the first full year of programming at Gertrude’s current site in Preston South in 2018 – feels an apt description for the underpinnings of this book. Rather than reducing history to the stories of a few, this is about recording everything possible and affording it equal importance. This is no highlight reel; it is an excavation of each brick in Gertrude’s foundations.\u003c\/p\u003e\n\u003cp\u003e592 pages, 17 x 24 cm, softcover, Perimeter Editions x Gertrude (Naarm\/Melbourne).\u003c\/p\u003e","brand":"Perimeter","offers":[{"title":"Default Title","offer_id":54194100142293,"sku":"86391645","price":69.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/2192\/6357\/files\/dred_1.jpg?v=1783579809"},{"product_id":"liz-johnson-artur-pda","title":"Liz Johnson Artur – PDA","description":"\u003cp\u003e\u003cspan\u003eThis new publication is a timely glimpse into the spaces around which the London club night PDA was created. Documenting the community it birthed, this book captures the spirit and strength of various interwoven stories in the nuanced sensitive narrative that is Johnson Artur’s photography. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSince its inception, PDA, established by Mischa Mafia, Ms. Carrie Stacks, Akinola Davies Jr and Siobhan Bell, prepared London’s underground for a new wave of experimental Black and Brown queer club culture. Offering a space where joy, care, and self-expression could flourish, the Hackney-based function built a platform where raw talent could be celebrated. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCombining the glamour and the spirit of chaos that would ensue on any given night, PDA offered a world away from systems upheld in UK’s patriarchal imperialism. At the function, liberation was not contained, as same day fashioned opulent wears, high-heels, and hair, were paraded to a soundtrack of experimental genre bending  audio. A stairway for their wildest ideas.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePDA lives on as the principal reference point for many and catalyst that continues to maintain long-lasting connections. Johnson Artur’s images – all shot in analogue – observe shared camaraderie, intimacy, anticipation of the night to come, as well as games people play to prolong its end.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e224 pages, 23.5 x 26 cm, hardcover, Bierke Verlag (Berlin).\u003c\/p\u003e","brand":"Perimeter","offers":[{"title":"Default Title","offer_id":54194100797653,"sku":"70351052","price":125.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/2192\/6357\/files\/liz_1.jpg?v=1783580030"},{"product_id":"liz-johnson-artur-pda-copy","title":"VISCOSE 08: Sound","description":"\u003cp\u003e\u003cspan\u003eThe eighth issue of \u003cem\u003eViscose\u003c\/em\u003e examines the myriad of music and sound cultures of fashion. \u003c\/span\u003e\u003cspan\u003eEntirely untethered from materiality and image, sound is the proof that fashion operates just as vividly in the purely atmospheric. From the artfully curated musical narratives of the runway to the ambient sonic environment of shops, fashion both emits sounds and seeks to associate itself with it for its own advancement.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMusic in particular asserts fashion’s existential relationship to time: it aesthetically time-keeps fashion media and confirms sartorial novelty by mirroring it rhythmically. To a public consciousness, the intimate relationship between fashion and music is obvious and at times even understood as one and the same. Sound glues material such as clothes to wider zeitgeists and mediated lifestyles, and as such, to cultural memory itself. As Mary E. Davis has illuminated, the alliance is profoundly historic: as far back as 1672, fashion periodicals have covered clothes and music as equally essential components of an elegant, fashionable lifestyle.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMusic, in fact, surrounds fashion: it enwraps makers, mediators, and consumers alike in ephemeral, yet intensely meaningful, signifiers of taste. Countless designers have come to fashion through musical subcultures, and labours in ateliers to particular playlists. Indeed, style most often has a soundtrack of its own, or dances to a specific tune.  F\u003c\/span\u003e\u003cspan\u003eashion emits sounds before and after the musical. The clicking of heels, the rustling of a sweater, the hissing of a zipper. The ambient humming of a sewing machine; the conclusive ‘beep’ from a store cashier.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor the 8th issue of \u003cem\u003eViscose\u003c\/em\u003e, we set out to examine the sonic landscapes of fashion in a most expansive manner. In billing our issue ‘sound’ we seek to gesture to more visually obscure and materially ephemeral interplays between fashion and the auditory – in wardrobes and shops, on the body and in the nightclub. With music culture at the centre of our inquiry, we hope to seek beyond and towards the more ephemeral sounds the clothing and fashion emits, records, and appropriates. We are pursuing the possibility of rendering fashion in entirely sonic terms, and how this translates into written words, in a print magazine. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e193 pages, 22.5 x 22.5 cm, paperback, Bierke Verlag (Berlin).\u003c\/p\u003e","brand":"Perimeter","offers":[{"title":"Default Title","offer_id":54194101715157,"sku":"65127958","price":75.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/2192\/6357\/files\/sound_1.jpg?v=1783834233"},{"product_id":"viscose-07-scent","title":"VISCOSE 07: Scent","description":"\u003cp\u003eThe seventh issue of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eViscose\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eexplores fashion’s enduring bond with scent and perfume.\u003c\/p\u003e\n\u003cp\u003eTo be sure, fashion smells. Olfactory sensations have leaked from industries of style since its inception: scent, the stuff of ancient history and myth, has been traded as precious commodities alongside textiles and garments since the world’s earliest trade routes (if for a range of social, religious, and political purposes). But the connection between scent and clothing is more profound than their commodity status. For if fashion can be understood as a ‘social technology’ that represents self and body as culturally produced concepts, then olfaction is indeed fashion in the purest sense of the word – a supplementary limb, or a garment, as it were.\u003c\/p\u003e\n\u003cp\u003eSmell is a critical dimension of social appropriateness (which is how Arjun Appadurai once defined fashion), beginning, of course, with cleanliness. Smell is brutally implicated in the production of gender, ethnicity, race, and class, linking many of our social anxieties and aspirations to concrete chemical compounds that are still mostly unnamed.\u003c\/p\u003e\n\u003cp\u003eThis is the paradox of scent: much like fashion, olfaction is a technology of supplementing the body but the difference is that this extension happens in the realm of the atmospheric – a realm that eludes the classic semiotic register in which we tend to discuss not only fashion but socially legible bodies. The atmospheric is where semiotics dematerialises, literally evaporates – and thus also where standard writing ends. To understand and write about scent is enormously difficult: this is no doubt what galvanises the genre of scent writing so profoundly.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eViscose 07\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eexamines scent through a variety of lenses, observing its historical and contemporary role in fashion culture. The issue seeks out histories of projects – mainly developed with or by artists and designers – who have embraced and involved smell as a medium of possibility and knowledge production, gesturing to histories of manufacturing, trade, branding, and commerce, but also sexuality, desire, identity, and memory. With respect to the abstract knowledge of scent, we are in pursuit of accounts ranging from literature to philosophy that attempt to synthesise, much like perfume itself, the sensorial, capitalist, artistic, and scientific forces that make up scent in our modern world.\u003c\/p\u003e\n\u003cp\u003e127 pages, 20 x 30 cm, softcover, Bierke Verlag (Berlin).\u003c\/p\u003e","brand":"Perimeter","offers":[{"title":"Default Title","offer_id":54194103845077,"sku":"51788418","price":75.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/2192\/6357\/files\/SCENT_1.jpg?v=1783835637"},{"product_id":"sriwhana-song-ha-ha-ha","title":"Sriwhana Song: HA HA HA","description":"\u003cp\u003eCo-published by Monash University Museum of Art (MUMA) and Perimeter Editions, this publication accompanies\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSriwhana Spong: HA HA HA\u003c\/em\u003e, the artist’s first major solo exhibition in Australia.\u003c\/p\u003e\n\u003cp\u003eWorking across film, sculpture, performance and writing, Spong’s practice explores how knowledge is approached, framed and made perceptible. Her works often begin with a small or contingent encounter – a text, image, living organism or historical trace – which becomes the starting point for extended inquiry. Following these traces through experiential and research-based processes, Spong develops works that reframe understandings of time and the entanglement of human and non-human life.\u003c\/p\u003e\n\u003cp\u003eNew texts by Vera Mey, May Adadol Ingawanij, Tessa Laird and poet Ariana Reines situate Spong’s work within expanded fields of cinema, speculative poetics and embodied knowledge. A personal text by the artist reflects on questions of naming, inheritance and cultural transmission. Together, these contributions trace the conceptual threads running through Spong’s practice, offering new perspectives on the ways her work engages memory, history and embodied forms of knowledge.\u003c\/p\u003e\n\u003cp\u003e208 pages, 17 x 24 cm, OTA-bind softcover with flaps, Perimeter Editions x MUMA (Naarm \/ Melbourne).\u003c\/p\u003e","brand":"Perimeter","offers":[{"title":"Default Title","offer_id":54194104271061,"sku":"11975504","price":65.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/2192\/6357\/files\/HAHAH_1.jpg?v=1783835766"},{"product_id":"vaginal-davis-on-dangerous-ground","title":"Vaginal Davis – On Dangerous Ground","description":"\u003cp\u003e\u003cspan\u003eThe artist Vaginal Davis certainly moves on dangerous ground with her transgressive shuffling of gender and genre boundaries. The self-described 'sexual repulsive' co-founded several art\/punk bands in her expansive 40-year-plus career, namely Afro Sisters, ¡Cholita!, Pedro, Muriel \u0026amp; Esther (PME), black fag and Tenderloin. As a writer and 'Whoracle et Delphi', Ms. Davis turns her quirky hairy eyeball to the collective practice of making music in the saucy underground scenes of Los Angeles and Berlin. In their contributions, longtime comrades and collaborators Bibbe Hansen (artist and Warhol Silver Factory habitué) and Felix Knoke (guest performer for The Hidden Cameras and band member of Tenderloin) rave about joint performances and rehearsals, divulging sacred secrets and rifts. Bruce 'Judy' LaBruce, Glen Meadmore and Lisa 'Suckdog' Carver make surprise guest appearances, along with images from live performance spectacles \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eThe White to Be Angry\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eTrust Fund\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eInterracial Dating Game\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eWe’re Taking Over\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eAfro De Sade \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003eand \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eCamp\/Anti-Camp: \u003c\/span\u003e\u003c\/i\u003e\u003ci\u003e\u003cspan\u003eA Queer Guide to Everyday Life\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e128 pages, 12 cm x 16 cm, paperback, Bierke Verlag (Berlin).\u003c\/p\u003e","brand":"Perimeter","offers":[{"title":"Default Title","offer_id":54194105024725,"sku":"47042188","price":28.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/2192\/6357\/files\/VIRGINAL_1.jpg?v=1783835897"},{"product_id":"lee-scratch-perry-black-ark","title":"Lee Scratch Perry – Black Ark","description":"\u003cp\u003eThe point of departure for the book\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBlack Ark\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ewith Lee ‘Scratch’ Perry (1936–2021), a Jamaican musical and visual artist who was based in Switzerland, is a detailed inventory of photographs and writings (Spring 2021) from the Black Ark Studios in Kingston, Jamaica, where Lee produced his music from 1973 on. He was a seminal pioneer of dub, an electronic subgenre of reggae that uses sampling, looping, remixing, reverb and echoes to create new songs as well as rework  and appropriate pre-recorded songs and tracks.\u003c\/p\u003e\n\u003cp\u003eBlack Ark Studios was one of the cradles of dub. It’s also where Lee ‘Scratch’ Perry’s musical approach found an enduring visual counterpart in the form of continuously evolving mural paintings and drawings  as well as shape-shifting assemblages of records, instruments, found objects, posters, newspaper and magazine clippings, and appropriated books. The artworks form actual layers upon layers that are rhizomatically intertwined with the studio building itself  as well as with the furniture inside – and with Perry’s biography and persona.\u003c\/p\u003e\n\u003cp\u003ePerry created his very own, dense and eclectic world – a world that is documented in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBlack Ark\u003c\/em\u003e, before it disappears for good: the premises have recently been sold. The photographic documentation of the studio was supplemented by efforts to secure and preserve Perry’s cultural objects as part of a joint project with various cultural institutions.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBlack Ark\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ewhich reflects the rhythm and layering effects of collage both in its content and the materials used to craft the book. Perry was involved in the conception of the book in its early stages. It also interweaves various media and chronologies. The new photographs of the Black Ark Studios will be juxtaposed with stills from old documentaries and archival photos.\u003c\/p\u003e\n\u003cp\u003eThe idea of a ‘house’ serves as both a working hypothesis and a metaphor. It will be the starting point and endpoint of various thematic strands, both visual and textual: for example, the book will explore the Black Ark as a ‘spiritual yard’ in the context of African diaspora, as well as looking into archeomusicological aspects. Furthermore, extended captions by Perry’s biographer will provide the backdrop for a kaleidoscopic panorama of Perry’s eclectic and ingenious work.\u003c\/p\u003e\n\u003cp\u003e600 pages, 28 x 21 cm, hardcover, Edition Patrick Frey (Zurich).\u003c\/p\u003e","brand":"Perimeter","offers":[{"title":"Default Title","offer_id":54194105680085,"sku":"45418094","price":169.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/2192\/6357\/files\/LEE_1.jpg?v=1783836040"},{"product_id":"emi-ueoka-intersections","title":"Emi Ueoka – Intersections","description":"\u003cp\u003e\u003cspan\u003e‘I’m attracted to people waiting around, commuting, and hanging out because I like drawing understated poses and a certain atmosphere. In time this interest grew, ever so slightly, to include the surrounding traffic. \u003c\/span\u003e\u003ci\u003eIntersections\u003c\/i\u003e\u003cspan\u003e is a collection of these drawings.’ – \u003c\/span\u003eEmi Ueoka\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEmi Ueoka is a Melbourne-based Japanese artist working primarily in pencil. She studied in the United Kingdom, exhibiting life drawings at the National Portrait Gallery as a high school student, and graduated in Graphic Design from Central Saint Martins, London. In 2011 she began her career as an illustrator with commissions including \u003c\/span\u003e\u003ci\u003eBritish Vogue\u003c\/i\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ci\u003eThe New York Times\u003c\/i\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ci\u003eShiseido\u003c\/i\u003e\u003cspan\u003e and \u003c\/span\u003e\u003ci\u003eHerman Miller\u003c\/i\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e112 pages, 21.5 x 28.8 cm, softcover, Nieves (Zurich).\u003c\/p\u003e","brand":"Perimeter","offers":[{"title":"Default Title","offer_id":54194106368213,"sku":"11532133","price":65.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/2192\/6357\/files\/EMI_1_10dc2abf-2367-4483-8f8c-8a62cfc4c582.jpg?v=1783836196"},{"product_id":"kris-ludi-smoke","title":"Kris Lüdi – Smoke","description":"\u003cp\u003eWhen the most beautiful cows of the Appenzell villages are crowned in autumn, smoke rises over the festival grounds. On this day, children—often still in their early single-digit years—puff unabashedly on Krumme cigars, or Stumpen as they are known locally, emblematic representatives of Swiss tobacco culture. They do so not in secret or as an act of rebellion, but in the midst of the village community, which not only tolerates the tradition but is also the very source of it. It is a gesture of acknowledgment for the children who take on agricultural work and responsibilities from an early age.\u003c\/p\u003e\n\u003cp\u003eWith his work Smoke, artist Kris Lüdi approaches the custom from a place of personal memory. As a child, Lüdi spent his summers with his grandparents in Appenzell and encountered the local children with the intimidated gaze of an outsider of the same age. Their nonchalant, down-to-earth manner conveyed a sense of meaning that resonated with him, and Smoke is his delayed response to that.\u003c\/p\u003e\n\u003cp\u003eThe result is a reflection on the progressive and conservative forces of the present, on local customs and cultural practices, and their positioning between tradition and modernity. Smoke ventures into the very heart of Switzerland. Folkloric tradition becomes the starting point for a photographic observation that documents reality—but does not claim to be a documentation. Instead, the portraits of smoking children create a space of resonance that extends far beyond the canton’s borders.\u003c\/p\u003e\n\u003cp\u003e120 pages, 22.8 x 15.2 cm, softcover, Edition Patrick Frey (Zurich).\u003c\/p\u003e","brand":"Perimeter","offers":[{"title":"Default Title","offer_id":54194107515093,"sku":"24102711","price":105.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/2192\/6357\/files\/SMOKE_1.jpg?v=1783836527"},{"product_id":"mike-slack-walking-in-place-1-new-orleans","title":"Mike Slack – Walking in Place 1: New Orleans","description":"\u003cmain class=\"main-content js-focus-hidden\" id=\"MainContent\" role=\"main\" tabindex=\"-1\"\u003e\n\u003cdiv id=\"shopify-section-product-template\" class=\"shopify-section\"\u003e\n\u003cdiv class=\"product-template__container page-width\" id=\"ProductSection-product-template\" data-section-id=\"product-template\" data-section-type=\"product\" data-enable-history-state=\"true\"\u003e\n\u003cdiv class=\"grid product-single\"\u003e\n\u003cdiv class=\"grid__item medium-up--one-half\"\u003e\n\u003cdiv class=\"product-single__description rte\"\u003e\n\u003cp\u003eTHIRD EDITION\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWalking in Place 1: New Orleans\u003c\/em\u003e\u003cspan\u003e is the first in a series of standalone books by Los Angeles-based photographer Mike Slack, each taking in a different city, town or geographical locale. In this volume, first published in 2016, Slack records various points of reference on a five day meander through The Big Easy, creating an inner travelogue both meditative and playful. \u003c\/span\u003e\u003cspan\u003eDriven by an almost unconscious process of seeing, recording and cumulation, his gaze settles on architectural details, local flora, street ephemera, and the curious neighbourhood cats that cross his path. Led by his keen eye for street-side formalism, and a canny sensitivity to the poetics of light and tonality — and their unlikely urban iterations and combinations — Slack has crafted another telling contribution to what has emerged as a genuinely unique photographic language. The book itself assumes the form of an elegant, pocket-sized paperback — a non-linear, non-verbal journal for the perpetual wanderer.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMore from the series:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ca title=\"Mike Slack – Walking in Place 2: Berlin\" href=\"https:\/\/www.perimeterbooks.com\/products\/mike-slack-walking-in-place-2-berlin-second-edition\"\u003eWalking in Place 2: Berlin\u003c\/a\u003e\u003cbr\u003e\u003ca title=\"Mike Slack – Walking in Place 3: Tokyo\" href=\"https:\/\/www.perimeterbooks.com\/products\/mike-slack-walking-in-place-3-tokyo\"\u003eWalking in Place 3: Tokyo\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e84 pages, 18.5 x 11 cm, section-sewn softcover, Perimeter Editions (Naarm\/Melbourne) x The Ice Plant (Los Angeles).\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/main\u003e","brand":"Perimeter","offers":[{"title":"Default Title","offer_id":54194108563669,"sku":"45646648","price":45.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/2192\/6357\/files\/BERLIN_1.jpg?v=1783836689"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0719\/2192\/6357\/collections\/hell_242d72ba-a28e-427c-a67a-0a4ba39946c9.jpg?v=1779252249","url":"https:\/\/manebystable.com.au\/collections\/perimeter.oembed?page=2","provider":"MANE by Stable","version":"1.0","type":"link"}